The Financial Times - Weekend 3/4 August 2002

 
 


Dream Baby

We spend a third of our lives in bed. It pays to choose whose wisely, says Holly Finn


 
 

A man once told me he had two moods; happy and asleep. It was a good line. He wanted to seem go-lucky. But, as the new book Counting Sheep: the science and pleasures of sleep and dreams makes clear, asleep rarely means the same thing as relaxed. Our eyes may shut, but our brains stay open for business, overachieving in the dark.

So why do most of us pay so little attention to the furniture of sleep, our own bed? Howard Hughes, in hospital after being injured in an aircraft crash, designed himself a self-propelled bed powered by 30 electric motors and controlled from a cockpit.

But us? We know more about trillion-thread-count Italian linens than star-lashed hourglass springs. And they called him crazy.

So, on a sunny afternoon a week ago, I went to a factory in North Acton, around the corner from Wormwood Scrubs prison in north-west London, where I stretched out on a bare mattress.

 

 

   

I stared at the ceiling, painted a sweet-dreamy sky blue with white cumulus clouds, and talked to Alistair Hughes (no relation to the hospitalised aviator), managing director of Savoir Beds, about box springs and mattresses, horse hair and snakes, and the dangers of underestimating softness.

"It's quite common for guys, who tend to put less thought into these things, to ask for something firm" says Hughes. "It's a macho thing."

Savoir makes 20 bespoke beds a month, and happily remakes any bed if the customer is not satisfied. About 12 a year are remade, and "80 per cent of those are to go softer".

It's all about density, explains Hughes, instructing me to turn on my side. "I want you to look like you are standing up," he says, tilting his head, assessing how dense I am. Thankfully, my weight is spread out over 5ft 11in of length, so I never sink very deep into a mattress. My spine needs just a little support to keep it straight, a mattress quite soft.

"A lot of people associate soft with hammock-like. A hammock just goes like this," says Hughes, making a limp inverted arc with his arms. "It's a disaster." Another disaster: when two beds are pushed together without a "zip and link" system, and without a "snake". This long, slender piece of covered padding is designed to lie in the shallow dip between two conjoined mattresses, to prevent a chasm forming between sleeping partners.

If you prefer one big bed, here's a metaphor for you: Savoir can customise the two sides of a mattress even though they are halves of the same, seemingly uniform unit. Man insists on being macho, while woman is a skinny 6ft tall? By placing more, stronger springs in his side, fewer, softer springs in hers, the company can help Save That Relationship.

"It's between them. I'm not going to get involved," says Hughes. But we all know a bed can help make or break a romance, just as sleep can make, and the lack of it break, a spirit. (Seen the new Pacino film Insomnia yet?).

Seriously. A great bed can help us keep loving a person. And it can help us start loving a hotel ... it was a Savoir bed, originally known by the name Savoy - the company was previously owned by the The Savoy Hotel Group - that besotted the late king Hassan of Morocco.

 

 

After he slept on one at Claridge's, he ordered 24 of them. It was a Savoir bed that suckered me, too, after I spent the night on one at Home House, a Robert Adam building in central London that's now a club.

It's hard to say for sure whether it was the bed specifically or the place in general that got me (my room's Pompeian-style bathroom was made entirely of marble, the floor inlaid with the signs of the zodiac, the bath spouting water out of lions' heads.) But I watched a Neil LaBute film the night I stayed there, and to sleep at all after hearing lines such as: "You are fucking handicapped - you think you can choose?" is something. To sleep like a babe is something else. I woke up remembering how Hughes had said: "You spend eight hours a night in this thing; you've got to get it right."

Hughes and his partner Stephen Winston bought Savoir, now a century-old company, in 1997. "My view was that there was a market for a bespoke bed," Hughes says now, "one that is made for the person who will spend eight hours a night for a quarter of a century in it. And all for under a pound a night." That's the cost per use: prices start at £4,277 for a UK King bed set (mattress and box spring, 5'0 x 6'6), £5,264 for a Superking (6'0 x 6'6), and the company fills orders worldwide.

It takes 60 hours for the men in North Acton to make a Savoir bed to specification. They can make a leather headboard, a ponyskin base, a bed for a child of any age, and a mattress for the bow berths of your new Swan. If Isabella of Portugal was commissioning her great bed today - it was 18ft long by 12ft wide - she'd call these boys.

Their box springs feature hourglass springs laced together, or "star-lashed", to last longer than the more common metal-mesh variety. Their mattresses are hand-sewn and include a generous layer - 6kg each - of curled, springy horsehair on top of pocket springs. And thoughtfully, there is an extra "sausage" of padding around the edge, where you tend to sit.

I mused on that last touch early on a recent Sunday morning, when a neighbour in the house across the street woke up and started playing the accordion on his rooftop. The thing about the accordion is that even when you're good, you don't sound it. As I perched on the edge of my bed, I was not happy and not asleep. And I wished I was seething on the extra-soft edge of a Savoir.